The painting on the easel in Julie Green’s Corvallis studio depicts a Chicago brownstone in monochrome brown; a geyser, drawn from the image on a Transferware plate Green bought at Beekman’s Place on 6th and Western; a faint amaryllis flower, a symbol of success after a long struggle; a corned beef sandwich and dill pickles; and, poignantly, the text, “Thank God I’m Home,” and “Marcel Brown: 10 years’ wrongful conviction.”  

Green’s painting is the eighth in a series called “First Meal.” The works pay tribute to the first meals exonerated inmates choose after being freed from prison, in some case after decades of wrongful incarceration.  

“First Meal” is in some ways a companion to Green’s well known “The Last Supper” project, which depicts the last meals death row inmates eat before execution.  

At first, Green, an art professor in CLA, thought the “First Meal” would be a lighter, more joyous project. The pastoral, utopic scenes (like the geyser in Brown’s painting) are a testament to that, but contrast starkly with the text, images of food and the sheer number of years people have spent wrongfully imprisoned.  

“These are glorious, crushing moments,” Green says. “I hadn’t known how young some of them were when they were convicted. The stories are heartbreaking. Even though they’re released, how do they go on with life? How are they not scarred?”  

For Green, both the Last Supper and First Meal are about humanizing people who have been institutionalized. But the First Meal paintings are large, 3x4’. “I wanted them to be like a banner. They are like pennants of loss,” Green says.  

Green is working in collaboration with the Center on Wrongful Convictions at Northwestern University. Most of “First Meal’s” subjects have been exonerated because the Center has worked on their behalf. To date, the center has worked to exonerate 50 people, with three occurring in January.  

“Anything that draws attention to wrongful conviction and the consequences these people go through is really paramount to ending this pattern of wrongful convictions in this country and all over the world,” says Sara Sommervold, of the Center on Wrongful Convictions. “I think visual art has a dynamic and important role to play in public awareness when it comes to social justice issues.” 

Green aims to make and exhibit 20 “First Meal” paintings, with some proceeds going to the Center on Wrongful Convictions.  

“Many people feel at a loss for how we can help if they see artwork that is challenging,” Green says. “But here there is a chance to support the Center and the people working there in a positive way. They are saving lives.”  

To learn more about Julie Green’s work, visit Upfor Gallery. 

To learn about Green’s studio process, visit @juliegreen_art on Instagram