Offering music industry experience on campus
The student-led album project, organized by the School of Visual, Performing, and Design Arts, is now in its seventh year

Artist Niya Sage recording their song "European Accent"
By Colin Bowyer, Communications Manager - May 20, 2025
The College of Liberal Arts’ experiential learning “hidden gem,” overseen by Associate Professor of Music Dr. Jason Fick, provides students across campus a realistic look at what it takes to record, mix, produce, and market an album. Now in its seventh cycle, the year-long production process pairs student artists with student producers from SVPDA’s music technology and production program (MTP), to work together to create a track for an album.
“The album project is entirely student-led at all levels,” said Fick. “Each year, the album takes on a different dynamic, not only in musical styles featured, but within the production team; with each student bringing their own tastes, skill set, and energy.”
During fall and winter terms, Fick and a student-executive committee review song submissions for the album project and narrow down typically close to 40 original songs to just a handful. With what was initially viewed as a project for strictly music majors, over half of the submissions are from students outside of SVPDA. For this year’s album, eleven tracks were selected, including two from Ecampus students, all of which vary in style, from pop-infused EDM to reggae to folk.
Working closely over the course of four months, each artist-musician pair work in Snell Hall’s recording studio to further develop, mix, and master their track. The producers bring their own technical expertise from MTP, as well as personal style, to the overall production process.
“I wanted this overall project to model the music industry as much as possible,” said Fick. “The collaboration and back-and-forth between musician and producer is what makes it so realistic.”
Leading production for this year’s album is Mackenie Ruff, a fifth-year senior double majoring in human development and family sciences and MTP. During Ruff’s junior year, she was picked to be an artist on the album, then, last year, she was the album’s project manager in addition to producing a song. As lead producer, Ruff collaborated with Fick on on the initial artist-producer pairing during fall term and now oversees the student collaborations as they navigate the recording and production process, stepping in, when needed, to problem solve or contribute to instrumentals and vocal harmonies.
“It’s been valuable to me to have previously experienced both sides of the relationship, first as an artist, then a producer,” explained Ruff. “It gave me a better understanding of the artist-producer relationship and how to foster a creative and productive environment in the studio.”
Not all student submissions to the album project are fully formed and self-produced tracks; many of them are raw ideas accompanied by stripped down instruments or beats from YouTube . That’s where Ruff and the team of student producers work with each artist over the course of several months to fine-tune each track in the studio.
“Being an artist in a studio is scary,” said Ruff. “You’re putting yourself out there and opening up your original art for critique. We’ve tried our best to create a welcoming and wholly collaborative environment between artists and producers. That’s how you get the best work out of everyone.”
One of the artists on this year’s album is singer songwriter Fiona Daley, a junior double majoring in graphic design and MTP. Daley collaborated with producer James Sanchez on her track “It’s Still Early.” On “It’s Still Early,” Daley used only her mahogany steel string acoustic guitar (from Troubadour Music in downtown Corvallis) to soulfully reflect on life at age 20. From her partnership with Sanchez, the song swelled and grew into something else entirely. Daley and Sanchez worked together to add more layers to the song, including drums, violin, and a palm-muted electric guitar played with a phaser.
“The song went from being a little ‘flat’ to one with loads of energy,” said Daley. “It needed something else and I truthfully felt stuck and didn't know where to go with it. I came into this process open to anything and I’m thrilled with the final product.”
Apart from the album-project, Daley is also working with Sanchez on her own EP, due to be released later this year.
The official release of this year’s album will be on May 21 with a public celebration at 7 p.m. in the RCB. At the gathering, each artist will talk more about their submissions and experience working with a producer.
“All of the songs on this year’s album are very strong,” said Ruff. “I loved the variety of styles and I’m excited to hear how everyone’s individual contributions will create a flowing record that showcases the musical talent of each artist-producer pairing.”
Starting fall term 2025, Fick and the student committee will begin to accept submissions for the eighth album project. In the meantime, the MTP program will continue to host Diffusions as well as a new late-night concert series called Chromatics, both of which are overseen by Fick, but run by MTP students.
“These experiential, hands-on, learning experiences on campus are rare,” said Fick. “The album project, and MTP program as a whole, is CLA’s hidden gem for all OSU students.”

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