Cameron O'Connor

Award-winning and acclaimed as "stunning and emotive" (Eugene Register-Guard)  and "accomplished and soulful" (Portland Magazine), Cameron O’Connor enjoys a diverse career in solo, chamber, and contemporary music. Performance highlights include solo and duo recitals throughout Japan; performing as a guest artist at various guitar festivals; chamber music and opera appearances with Eugene Opera (electric guitar in Piazzolla's Maria de Buenos Aires), Amici Chamber Music (Castelnuovo-Tedesco's Quintet, Op. 143) and musicians of the Oregon Symphony in their Classical Up Close concert series; as a chamber music soloist at the New World Symphony in Miami (for which the South Florida Classical Review noted that he was “especially effective in the quick and diabolical figures”); appearing as a guest artist and performing duos with Sharon Isbin at the Aspen Music Festival and School; electric guitar with Michael Tilson Thomas and the New World Symphony; and appearing under the baton of composer Tan Dun in his Chinese-influenced Concerto for Six, for which the New York Times noted that “O’Connor fluttered on his guitar strings in a manner reminiscent of a pipa player’s technique.” He is furthermore a prizewinner in many international competitions, including the Frances Walton and Tokyo International Guitar Competition. O'Connor has performed in a dozen musical theater productions on electric guitar, banjo, and mandolin, and in early music settings on the vihuela and lute. He was for years a member in a top-40s dance band whose repertoire ranged from Journey to Beyoncé. 

His playing has been featured in films, including James Franco’s Don Quixote and Scott Tennant's instructional classic Pumping Nylon, as well as featured on radio programs like Seattle's Classical 98.1 KingFM,  All Classical Portland (including an hour-long solo feature), American Public Media’s Performance Today, and KPFK's Global Village. His recording of Michael Lee's Unmasked (written for O'Connor) was chosen for Ablaze Record's Millenial Masters, distributed by Naxos. 

As a composer, O'Connor won the Keene State College Call for Scores, the "Outstanding Winner" 2nd prize at the Changsha International Guitar Festival in China, and was a finalist in the Portugal International Guitar Composition Competition (of whose jury Leo Brouwer was a member). The Guitar Foundation of America (GFA) commissioned O'Connor to contribute an arrangement to their Spotlight series, which seeks to further diversify the guitar repertoire; the resulting work, Samuel Coleridge-Taylor's Impromptu II, is now published by Les Productions d'Oz in Quebec. His writing appears in the pages of the GFA's publication, Soundboard. 

O’Connor was a full scholarship recipient at CSU Northridge, where he studied guitar with Ron Borczon and lute with Ronald Purcell; The Juilliard School in New York City, where he studied with Sharon Isbin; and at the USC Thornton School of Music as a guitarist under William Kanengiser, while pursuing an emphasis in music theory under Bob Moore. His research into the "absolute music" of Richard Wagner yielded several arrangements of the composer's music for guitar, now published through LACG Editions. Upon receiving his degree, the Thornton School recognized him as the Outstanding Doctoral Graduate of his class. He has served on the faculty of Oregon State University since 2017. Under his founding direction, the OSU Guitar Ensemble has premiered dozens of new works, including several by students. O'Connor's compositions and arrangements can be found through LACG Editions (lacg.net).